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Frankenstein Goldstadt Medical College Greeting Card

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The organization had its attraction for literary men, such as Johann Wolfgang von Goethe and Johann Gottfried Herder, and even for the reigning dukes of Gotha and Weimar.

After telling them of Henry's decision to leave the school, Waldman agreed to accompany them to Henry's lab to talk some sense into him. Frankenstein’s problems began with Lugosi, whose always-robust ego had inflated to unimaginable proportions following his success in Dracula.From beginning to end Frankenstein’s Monster is shown as a wicked creature from the people; however, he possesses many human characteristics. Synopsis: As a funeral takes place, Henry Frankenstein (Colin Clive) and his assistant, Fritz (Dwight Frye), lurk nearby. Legends abound about Lugosi’s early make-up tests for the role, which claim that he was photographed wearing an ungainly headpiece that seems to have been modelled upon Paul Wegener’s appearance in the 1920 version of Der Golem. the scene culminates with the clumsy, lumbering Creature somehow managing to sneak soundlessly into Elizabeth’s room, and stalk her unnoticed while she restlessly paces the floor.

In Frankenstein, the problem is less obvious, thanks almost entirely to James Whale’s skill as a director. And it is this, perhaps, that explains the durability of Frankenstein itself, and the regularity with which its themes are resurrected and re-worked in films even to this day. Yet later on, and despite the tone-setting shots of the isolated watchtower in which Henry is supposed to have immured himself, it seems he’s no further away than just down the road; walking distance even for his annoying old goat of a father. At one moment, they’re all clad in gypsy dresses and lederhosen and slapping their knees in the village square; the next, the men are clad in the very spiffiest of thirties suits – and, oh Lord, the hats!Re-watching this film for the umpteenth time, but perhaps studying it for the first time, I found myself particularly struck by two of Frankenstein’s recurrent motifs.

There is no need, surely, for me to recount the story of that historic commissary lunch, or how the artist’s eye of James Whale came to rest upon the distinctive bone structure of an ungainly, middle-aged bit player named William Henry Pratt— aka Boris Karloff. When the mourners have gone and the grave has been filled in, the two men emerge from hiding, shovels in hand. Dwight Frye’s Fritz is simply Renfield with a hunch; the actor gives it his best shot, but the role was an insult.Near the castle was an old watchtower where Henry Frankenstein conducted a series of bizarre experiments in the late 19th century that ruined the family legacy, making the name Frankenstein synonymous with monsters and horror. The Jesuits gradually left the university as it sought to change with the times, until the university finally had become so secular that the greatest influence in Ingolstadt was Adam Weishaupt, founder of the secret society of the Illuminati.

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